Category: Positions through Iterating

In this flip‑book project, I interrogate how iterative visual sequences can evoke the unexpected beauty of sadness inherent in the moment when Agnès Varda and JR are stood up at Jean‑Luc Godard’s doorstep in Faces Places, transforming absence into poetic presence (Brody, 2017). I wonder, how does repetition heighten emotional immediacy? What new meanings emerge…